Here’s one last rant sparked by a “how to write fiction” book that advised using “said/say” as the only dialogue verb (as in, "'I spent thirty dollars on jelly beans at Mont Tremblant this weekend,' she said.") (That is a true statement, sadly. They fool you with the $2.99/100g sign. I still think in pounds. "Grab a bag each,"… Continue reading He Said/ She Sighed Part 3 – Enough Already!
Tag: grammar
He Said/She Sighed Part 2
I grabbed twenty books from the living room shelf, opened each to a random page, and checked out all the verbs used in dialogue. And here is what I learned: Almost all the authors used a simple “said” at least half the time. But none of them used said all the time. None. Not one.… Continue reading He Said/She Sighed Part 2
He Said/She Sighed – Part One
I dislike lists of rules for writing fiction. There are many good writers whose work I can’t stand. And many books I’ve loved that were obviously flawed. I would not advise anyone to make a paint-by-number novel. Big picture rules are good, like: A book should spend more words on important scenes and fewer words… Continue reading He Said/She Sighed – Part One
Suddenly a blog post
"World is suddener than we fancy it." (Louis MacNiece, "Snow") We've long been warned not to build tension on the cheap by spattering our manuscripts with the word "suddenly." Lately I've read a few posts advising writers not to use the word at all - ever - because it's meaningless. These are posts from editors… Continue reading Suddenly a blog post
Catherine Austen 